19:00, Sunday 17 February 2013
Berlin
Germany
Two new works derived from exact transcriptions of recordings.
Peter Ablinger | Piano and Record | 2012*25 |
Richard Beaudoin | Étude d’un prélude XI—four28 | 2009*25 |
18:00, Tuesday 21 May 2013
Performance Space, City University (external link)
College Building, St John Street
EC1V 0HB London
United Kingdom
A concert exploring the possibilities created from interaction between live performance and digital technology. SteenAndersen’s work turns a sonic microscope on the voice, amplifying and re-contextualising phonemes into musical phrases while Ablinger (external link) transcribes a the microvariations of a blank vinyl record for solo piano. Prins (external link) pits the live performer against a virtual avatar, blending the acoustic and digital together in a new reality. In Rodgers’ piece, a hands-on exploration of the sonic possibilities of percussion is captured and transformed by live sampling, the electronic processing enhancing and augmenting the live performance.
With Serge Vuille, percussion.
Please note 6:00pm start time!
Simon Steen-Andersen | In Her Frown | 2007, rev 20109 |
Peter Ablinger | Piano and Record | 201225 |
Stefan Prins | Piano Hero #1 | 20119 |
Stefan Prins | Piano Hero #2 | 2011, rev 20126 |
Georgia Rodgers | A to B | 201020 |
19:30, Thursday 5 December 2013
St Paul’s Hall
Queensgate
HD1 2RD Huddersfield Yorkshire
United Kingdom
Mark Knoop presents music which challenges our conceptions of the listening environment.
Joanna Bailie | Artificial Environment No.8 | 2012-1318 |
Chikako Morishita | soot | 2013*4 |
Peter Ablinger | Piano and Record | 201225 |
Pedro Alvarez | VER | 2013*16 |
Nicolaus A. Huber | Beds and Brackets | 199018 |
20:00, Monday 20 January 2014
Hamburg University of Music and Theatre (external link)
Harvestehuder Weg 12
Hamburg
Germany
Peter Ablinger | Piano and Record | 201225 |
Matthew Shlomowitz | Popular Contexts 2 | 201025 |