19:30, Tuesday 1 May 2012
The Forge (external link)
3-7 Delancey St
NW1 7NL London
United Kingdom
Mark Knoop presents new works which each take existing musical material as their starting point. From de la Cour (external link)’s cut-up techniques, through Beaudoin (external link)’s microtiming, to Finnissy (external link)’s Brahms-style choral preludes based on Norwegian and American folk songs, each work proposes an intriguing method of negotiating with the past. Tickets available on the door, or book here (external link).
Richard Beaudoin | nach Webern, nach Pollini | 2010*8 |
Richard Beaudoin | The Artist and his Model I—la fille floutée | 2010*9 |
Richard Beaudoin | Now anything can hang at any angle | 2011*2 |
Adam de la Cour | Piano piece 10 | 2011-12*20 |
Michael Finnissy | Choralvorspiele (Koralforspill) | 2012¶33 |
16:00, Friday 7 June 2013
Shaw Library (external link)
Old Building, London School of Economics
WC2A 2AE London
United Kingdom
As part of an LSE symposium discussing issues relating to copying and copyright, Mark Knoop presents a recital including recent works by Richard Beaudoin (external link).
Johann Sebastian Bach | Durch Adams Fall ist ganz verderbt BWV637, arr Ferruccio Busoni | 17133 |
Michael Finnissy | Gershwin Arrangements - How long has this been going on? | 1975-884 |
Richard Beaudoin | The Artist and his Model I—la fille floutée | 20109 |
Johann Sebastian Bach | Durch Adams Fall ist ganz verderbt — Fuga BWV705, arr Ferruccio Busoni | 17084 |
Michael Finnissy | Gershwin Arrangements - Embraceable you | 1975-884 |
Aldo Clementi | Blues (Fantasie su Frammenti di Thelonius Monk) | 20015 |
Richard Beaudoin | Now anything can hang at any angle | 20112 |